#40 - Zoom Lenses for Fast Work
This hasn't been a real big issue for those shooting with point and shoot cameras because they really can't change their lenses. For those of us who can, if you are totally married to a “fixed focal length lense", try a zoom will ya? I know, I know, there are drawbacks, higher minimum apertures, distortion at the extremes etc. But you just can't beat 'em for speedy operation in fast moving photo situations. You are instantly cropping without doing the manual zoom (you moving in and out from your subject.) Plus, you don't have to keep changing your lenses, opening up your camera to dust and dirt. For fast moving work, just Zoom-Zoom.
#39 – In Living Color… but only if you want it to be.
We understand that digital photography has allowed for some really great new camera features and abilities that you just didn’t have with film, but shooting your pictures in Black and White or Sepia or inverted color just isn’t one of them. The best possible way to record your images is in the full color setting on your camera. If you want to tweak something, do it post production. Doing it in the camera only limits what you can do with the photo. If you shoot it in Black and White for instance, you won’t be able to change it to color later if you want to. What a shame, ‘cause I can make this color photo I took any color I want any time I want. Our suggestion is to leave the segregated color pallets behind you.
#38 – Get into the picture, you have the time.
One of the coolest features available to the person behind the camera is the self timer. Most all cameras today have one and they are simple and easy to use. They generally have a flexible time that you can choose so you can properly maneuver yourself into a photograph and have a little time to spare. How many times has the timer on your camera gone unused? Trust me it is way better than the “hold the camera out and point it at yourself” thing. Who wants their big ole’ arm in every photo? Get in the picture!!
#37 – It isn’t just for keeping the inside of your car cool!
I love this one! I had an old car reflector glued to a white board that I threw into the back of my car for several years. It was there to provide me with a little reflected light every time I needed it. It wasn’t as chic as the fold out reflectors we use in the studio, but just as effective and it was WAY cheaper. Go to your local x-mart and pick up one of those car shades that fold up easily. They are usually silver on one side and black or white on the other. Perfect! Use the silver side to add a little light to a subject or the black side to block or draw a little light from your subject. Trust me this is a great one!
#36 – Know the range of your camera flash.
We talk about this in our classes all the time. As you are watching the Super bowl on TV, have you noticed all of the folks at half time taking photos from the nosebleed sections with their camera flash on? Wow, they are really out of touch at just how powerful that flash is. It makes for a great lightshow for the people watching on TV, but the only thing they are getting a well exposed picture of is the bald guy sitting in the row just in front of them. Trust me, every age spot and wisp of hair that he has is going to be perfectly exposed! Chances are though, this isn’t the shot they were after. Keep in mind the built in flash on your camera, regardless of the type, only has a range of about 6-10 feet.
#35 – Look for symmetry and patterns in your scene.
Ok, most of us just walk up and take a picture of something without thinking about the angle, surroundings or composing the image so it is interesting. This is what separates a good photographer from a great photographer. Pay attention to how your subject will be placed in the scene. Where the lines in the image are repeating? Is there symmetry within the scene? Are there repeating patterns that you can use to frame or surround your subject to create a more pleasing photo? Take the time to LOOK at your scene, then imagine your subject in that scene.
#34 – Focus on your subject
We aren’t talking about making sure your camera is in focus, or that your subject is nice and sharp in the scene. That is a given. We are talking about making the focus of the entire image about your subject. Surround them with items that will tell a story and keep your viewer interested in them and only them. Remove distracting items from the background, make sure they are the brightest part of the scene and that the “focus" of the viewer is firmly fixed on your subject.
#33 - Take a Hike!
We have all been on bus tours. They stop where every other bus that has ever traveled that path stops, the tourists get off, they take their pictures right from the same spot as the thousands of others before them had taken their photographs. Dude, get off the path, use that 20 minutes….. all of it - to go where nobody else is going, get higher, lower, down the path or up the road. Take pictures of the people, the lifestyles, everything but the thing that all the others on the bus are taking their photos of. Be creative.
#32 – Get Close….. no, Closer….. NO CLOSER!
One of our favorite lenses in the bag is the Macro setting. Just like the self timer on your camera, most cameras today have a “macro” setting. This setting opens the door to a whole new world that is just inches in front of your lens, literally. You can pick out a single letter on a matchbook or check out the pollen on a flower. There is a whole tiny world out there that you have been missing and it is right in front of your lens. Check it out.
#31 – Wow! That color is AWESOME!
We know you have seen those really great shots where the sky is an incredible blue, the colors jump off the page, and there isn’t a stitch of haze in the air. These shots are likely taken using an expensive polarizing filter. These filters can run you $70 or $100 easy. If you shoot with a point and shoot camera though, they don’t make them small enough to fit these cameras. This doesn’t mean you are out of luck, though. The answer is probably sitting right on top of your head. You know that pair of “polarizing” sunglasses you shifted up to the top of your head so you could look through the viewfinder on the camera? Take 'em off and hold one of the lenses over your camera lens. Voila! You are shooting like a pro and didn’t have to spend the $$$$.
#30- Exciting Photos
The word excitement has a lot of weight to it, so let us clarify. We are talking about visual excitement. Ok, that didn’t help. We are talking about color visual excitement. There is a rainbow of colors out there and they can all be recorded but when certain elements are played against each other, they create color visual excitement, physically in your eye. There is a warm and a cool color pallet to the standard color wheel. The next time you are lining up your shot, try to put a couple of these colors in positions that are opposing each other. Your eye won’t know how to react, for example, to a bright yellow wall with a person dressed in a brilliant blue suit. These are direct opposites on the color wheel, and your eye tries to adjust for both colors, causing all those little brain impulses to fire at once. This is visual excitement.
Next month we will crack the top 20 tips, stay tuned and continue to shoot! Try these tips and let us know what you think. Is your photography improving? - Aloha